The DangerBoy rigging team just finished up WEDay Toronto where we provided two unique flying effects for the concert event and the live TV broadcast.
The first flying effect was for the lead singer from the band Hedley and this one proved to be a very challenging indeed. The goal was to reenact a scene from Hedley’s recent music video Can’t Slow Down where the lead singer Jacob Hoggard is seen riding his track bike through various scenes and dance sequences.
For the WEDay Toronto live event we set up an automated 2D rig build around our VisualAct flying winch system. This 2D fly system enabled us to fly Jacob from one stage at the Air Canada Centre (ACC) to another about 15’ above the stage deck with millimeter precision. Next came the really tricky part… In order to make this effect work our team had to fabricate a custom, wireless rotate head so when the rider changed directions and came back across the stage in the other direction he was facing forward at all times. We also had to build a custom, fully adjustable spreader bar to suspend and balance the bicycle and the rider while suspended in the air. Phew…
For our second fly gag at WEDay Toronto we orchestrated a complex lowering effect where Jason Derulo appeared “from out of nowhere” and flew down onto the stage deck. Here again, we used our high speed, performer rated winch system but thistime in a simplier lowering configuration. The trick here was that for this act we had to load the performer onto our system from the catwalk 100’ above the stage and get him out into his start position on the high steel beams that support the roof of the ACC. Now, our team regularly traverses beams 100’ up and higher and for us this is easily done. A-list rock stars like Jason Derulo aren’t so accustomed to heights so for this stunt we had to design the rigging and the choreography with him in mind so that he was safe, comfortable and felt 100% confident in the stunt at all times. This gag was the opening to his song and dance number so he had to perform immediately after the lowering stunt so there could be no hickups or missed cues getting him to the stage.
Both our flying stunts at WEDay Toronto worked flawlessly and really impressed both the live and TV audience. The live nature of the event added extra stress but made it all more exciting as well. The show was a huge amount of work but our team rose to the task and pulled it off flawlessly. Thanks to everyone who was involved and helped out along the way, we are looking forward to doing it again next year!
When our partner company, Circus Orange, got the 18 day contract for an outdoor spectacle show at the Canadian National Exhibition (The EX) in Toronto, we really needed to up the scale of our special effects, stunt and rigging design.
This show was to revolve around a one ton dramatic flying set piece called “The JumpJet”. This jet was to appear just like a real live flying vertical take off jet with theatrical, aerial and stunt performances taking place on and beneath the flying framework.
We spent a month designing, fabricating and testing the JumpJet rig at our shop before any of the complex theatrical and stunt elements were layered on top.
Simulated jet engines were what the story called for to create the illusion of lift enabling flight. We created this by mounting our custom liquid flame generators in a hydraulically angled body designed to look like a jet engine. When the action called for the jet engines it was the combination of live sound effects with the thirty foot long flames that gave the appearance of the real thing. Because these were liquid flames they could be fired just as effectively horizontally or even straight down!
The second part of the illusion was actually getting the whole Jump Jet rig off the ground so it appeared to “fly”. This we did with a 70 ton industrial crane and some complex rigging that would give us full control of every axis. The JumpJet could pitch, roll and yaw just like the real thing. In the dark night’s sky the crane vanished leaving just the illusion of a mad max styled contraption high in the sky.
We rigged a circus trapeze and bungee act below the JumpJet and a live action stunt scene above. One particularly dramatic moment in the action called for an engine “malfunction” to send the JumpJet into a spiral to earth with the pilot character hanging by one arm from the wingtip. We stunt coordinated and provided all the training and stunt safety protocols for this aspect of the show as well.
This show called on all of our specialized services to “get off the ground” and was a dream gig for us. There were many other unique aspects to this performance and we invite you to read more on the JumpJet page of our partner company Circus Orange’s web site.
The South East Asian Games are the Olympics of Asia, and in 2011 Palembang, Indonesia was the host city. The opening ceremonies for any large-scale games event is always a lavish and over the top production and this time was no exception.
The director of the opening ceremonies wanted to fly their countries first Olympic gold medal winning athlete, Susi Susanti from one end of the stadium to the other where she was to throw a flaming spear into an 80’ high cauldron and ignite the flame for the games. No tall order!
There were a few challenges to this director’s artistic vision, not the least of which was the fact that this event was taking place in a huge open air stadium. This meant that there was no overhead rigging to attach to of course. Danger Boy was called on to propose a solution for this massive fly gag so our technical director, Tom Comet, flew over to Indonesia to take a look at the stadium and see how we could solve this rigging dilema.
The solution we came up with was to park two huge crawler cranes outside the building at each end of the stadium and suspend a horizontal cable track over the entire length of the field. When this cable track was tensioned it would provide the horizontal rigging that our trolley would run along. Two computer controlled high speed winches were placed at the end of this highline track. One to provide horizontal movement and the other the performer’s vertical lift. A series of cues were written to take into account the sag in the overhead cable track so that when the performer flew from one end of the stadium to the other she flew flat horizontally straight as opposed to following the slight sag in the line.
After a week of hard rigging work and rehearsal in the 40C+ degree heat the system was in place and worked perfectly. Millions watched as Susi magically flew from one end of the stadium to the other and lit the flaming cauldron with her spear.
In September of 2016 DangerBoy was very pleased to once again work with our performance partner Circus Orange in order to assist them in staging a custom, vertical wall dance performance on the side of a building as part of the SuperCrawl festival in Hamilton, Ontario.
What is a “vertical wall dance performance” you ask? Well, imaging taking a flat stage and turning it 90° so that it now stands straight up and down (think wall, side of building etc.). Now attach eight performers to an intricate dynamic rigging system that redirects back down to our four VisualACT high-speed, computer controlled winches. Voila – Wall Dance!
The team first rehearsed the show and worked out the choreography on the ground before adding in the vertical element. Next, for a week we rehearsed at our facility on a custom built wall structure designed to simulate the actual venue, or, to be more precise, the side of the venue After that we moved the whole system to the performance site in downtown Hamilton and re rigged it on the building where the performance was to take place. At that site we rehearsed for another week and really fine-tuned the show and the choreography. Eighty or so precise cues were written, costumes, music, pyro and effects were layered on and then came the big night. How did the show go? Well, the team blew the audience away with something they have never seen before and everyone had an amazing time. Thanks SuperCrawl for staging this amazing event and for trusting us to play on the side of your building.
This was the debut of our new VisualACT high-speed winch system and we were very pleased with the results. This time around the show was staged on a six storey building. Next time we are looking for something a little taller. Anyone have any 60 storey buildings that you would like to see turned into a vertical canvas?
We are super excited to announce that Danger Boy has been asked to provide all the performer fly rigging for the new show called Japanizi. This show is based on those crazy Japanese stunt shows where the contestants do insane stunts and appear to really hurt themselves. The twist here is that it is all done with kids (and they don’t hurt themselves). It has been a lot of fun coming up with custom fly gags for some of the unique “games” that the producers have designed up with for the show. We will have more information on this project once the show airs.
Yesterday our flying FX team had the fantastic opportunity to fly actor Martin Short during his opening song and dance number at the inaugural CSA Awards Show in Toronto Ontario. Martin Short has had a lot of experience with fly gags in live performance and really wanted to fly for this event but it was a last minute addition. Our fly rigging team had to move really fast in order to put this show together but it was worth it and the act turned out awesome. Martin short was so courteous and professional and everyone on the show had a great time making this flying effect happen.