We recently partnered up again with photographer, Matt Barnes, and Westside Studios to work on a firefighter training shoot at the Brantford Municipal Airport. As always, this team is a blast to work with, and the shoot has been one of our best days on site to date! Check out the gallery below for some behind-the-scenes stills we took!
Well it is video game launch season again and that means some super fun, FX laden events for the team at Danger Boy. This recent event we just completed for Sunset Overdrive was particularly awesome due to the amazing props and effects seen in the game. Our job was to recreate these props and effects safely in real life as an “experiential” marketing experience for hundreds of eager gamers. We helped crate an interactive “mayhem playground” where gamers could enter a cordoned off 60′ X 60′ area, and basically cause as much havoc as they wanted for two whole minutes. Crazy! There is nothing better than when your job description includes building teddy bear launchers and making 500 gallons of green slime! Here is a little video with some of the highlights.
This past Sunday was the culmination of just over a week of World Pride Celebrations. In addition to the Circus Orange team featuring in the parade, and a grinder performance at the closing ceremonies, the Danger Boy side of things got to field-test our brand new liquid flame generators at Yonge-Dundas Square! Check out the quick BTS vlog we shot of these incredible(ly fun) new machines.
We get to create some pretty awesome practical effects at Danger Boy on a very regular basis but it is always fun to partner with another creative company in order to create something larger than we could even dream up. This is exactly what happened recently when our good friend Allan Davey from Davey Photo asked us to provide some flame effects and stunts for a fantasy photo montage that he was building up from scratch. Allan builds up spectacular photos out of unusual individual elements. He shoots with the best gear available and then brings a bunch of disassociated images together in Photoshop where he creates finished shots that totally blow your mind. Allan is the kind of artist that I admire most. He has the technical skills to get the very most out of his gear but he also has the creative ability to take the imagery that exists within his head and make it real. Here is a brief overview of how we worked with Allan Davey to help him create the stunning photo you see above.
A few months back Allan and his team shot a bunch of our flame effects outdoors on a black background. We used our propane “dragons”, our liquid flame throwers and even fired off a few of the huge 40’ diameter gas bomb effects to suitably impress the boys who spend too much time working with Photoshop fire.
After Allan had all the flame he could handle he went back to his studio and shot everything from cabbage leaves to zoo animals in order to create the montage for his fantasy dragon. I don’t know how you turn a cabbage leaf into a dragon but I am not sure I want to sit in front of a computer long enough to learn either. I guess that is why I do effects and Allan does photos.
He then added in the flame effects shot earlier in the year to create a truly spectacular fire breathing dragon photo. For most photographers this probably would have been enough but Allan is a bit like us so he chose to step it up a few more notches. He called me up and said that he wanted his fire breathing dragon to be roasting someone. “We can do that!”
Allan and his team came back to our shop ( I think they like it here) and we did a fire burn day. Our lead stunt coordinator Tom Comet did the “hero shot” burn for the actual photo. Tom has been performing burn stunts for over 10 years now and still enjoys the smell of singed eyebrows from time to time.
As fire burn stunts are not something that we get to do every day so we set this job up as a workshop and photoshoot so some of our team who have not been involved in burn stunts could experience what it was like to do partial burns and be on the stunt safety side of it. It was a great day, no one got hurt and we got to help make some incredible art.
Thanks again goes out to Allan Davey for the opportunity of working together.
To say that our work here at Danger Boy is diverse would be an understatement, particularly these past couple of weeks. One of the more “out there” stunts that we have been asked to create this past year was an epic battle between Romans and Barbarians that took place last Monday in Yonge-Dundas Square. This live stunt was for the Toronto launch of the of the new Xbox One console, and specifically to create a lot of buzz around the next gen exclusive game called Ryse®: Son of Rome.
Danger Boy was asked to design a dynamic fight scene between fourteen authentically costumed Roman and Barbarian stunt performers. The battle was complete with pyrotechnic arrows (hey, it’s a video game and doesn’t have to be completely based on reality…), background explosions, and lots and lots of blood, guts and gore when the Romans inevitably kicked the Barbarians to the curb.
We spent weeks in the shop and the costume department building everything from battle axes to authentic buckskin Barbarian costumes. The most fun we had was in creating the blood effects. Usually we are doing blood for film and TV where there is time to “reset” between camera takes when the blood can be added, or cleaned up as needed. This was not the case in this five minute long live stunt where we had just one take to get it right. For this dynamic live action stunt we designed and built custom, wirelessly triggered, “blood belt packs” that could pump out up to a half a liter of blood from any of the eight characters who got axed during the scene. The fake blood was plumbed to any part of their body via surgical tubing and could be triggered in any sequence based on the live timing of the event.
This stunt show that we did for X-Box Ryse® represents a new form of advertising that we are being asked to help create content for more and more of these days. I call it viral stunt marketing. The goal is twofold: 1) to make a scene for the live audience and certainly impress the hell out of them and 2) for the content created by the stunt to hopefully go “viral” on social media sites like Facebook, Youtube and Instagram. It is a different way to think about stunt performances, choreography and story but we are really enjoying some of the new venues and opportunities it is opening up for us.
It was a huge amount of work for a five minute show but it was also a lot of fun and the kind of thing that we hope to have the opportunity to do again sometime soon.
Danger Boy recently went to Mexico with our sister company Circus Orange to implement all their pyrotechnics, special effects and rigging. When we work in a foreign country we always work with a “local license” on the pyro side of things. This local company helps us with all of our local pyro needs, from sourcing to transportation, on site storage and show day implementation. In the case of our show in Mexico, the local company encouraged us to use locally manufactured pyro. This video documents some of our experiences with this Mexican pyro.
We call it a “set piece” when we build something larger out of component pieces and the whole entity looks like something super cool. We have built pyro set pieces that look like company logos and even flying set pieces that look like specific objects that get suspended from cranes or buildings. One memorable one was an 18’ high Martini glass for Skyy Vodka.
In this case we had a corporate night club client in downtown Toronto who wanted to celebrate a big event so they asked us to create something extra special. We came up with a flaming set piece idea where their dance floor would literally be lit on fire spelling out the name of the club (flaming set piece). We created large 4’ high, laser cut metal letters to create a fire proof surface that stood just above the dance floor. We then covered the letters with a special smoke free alcohol gel fuel and lit them up! The club was perfectly laid out for this effect as the dance floor is a lowered area with natural security perimeter. This meant the audience looked down on the effect. It was awesome. Here are some pictures.